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Tonehammer Liberis (Choral Library) . Blue keys indicate mapped samples; red keys are the 'low' layer keyswitches and green keys are keyswitches for the 'high' layer. Following the release of their Requiem choral library in late 2. Tonehammer have produced an all.
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According to the makers, its 4. You can read the SOS review of Requiem at /sos/dec. Since Liberis shares many of the adult choir's features, we'll concentrate here on the new library's unique characteristics and examine some technical details more closely. If 4. 5 children in one room sounds like a. The choir is led by Robert Geary, who also conducted Tonehammer's Requiem singers.
Liberis' children are mainly girls aged between eight and 1. The church's columns form curved arches, thus avoiding the ricochet sonic reflections caused by unbroken, parallel flat surfaces.
All this results in an acoustic which the producers say amplifies sound evenly throughout the space, without creating hard echoes, dead spots or harsh resonances. Tonehammer recorded the choir from three microphone positions: 'stage' (five or six feet from the singers), 'mid' (1. Every patch in the library is presented in a. Tonehammer recorded many impulse responses for the convolution reverb included in Liberis. Effects range from grand cathedral reverbs to transformative, pitch.
These oversized cardboard containers tend to sit around on shelves taking up valuable space and gathering dust. Since you can't legally re. Tonehammer are one of a. To facilitate this, they issue customers with the 'TH Installer', a. After downloading these files and extracting their contents, you have to run another small program supplied by Tonehammer, which installs the Kontakt user- interface images and templates. If you neglect to do this, as I.
The Phrase Builder tool allows you to add syllables to a. The candle flame moves along the row of syllables as the sequence advances! If all you want initially from this children's choir are straight sustained notes, you can load the '8.
If you're wondering, the 'oo' delivery sounds noticeably different from the 'ooh', the latter being warmer, softer and more intimate. While all these performances sound attractively bright, lush and tuneful, my personal favourite is the 'mms', a. Possessing an ethereal, quasi. Despite their tender age, the singers really make a. It only takes two or three singers to deviate from the stipulated pronunciation and/or tight timing and you can end up with sloppy. These three children sing from the heart without a.
The 'stage' samples would be my default choice for everyday use. Layering them with the 'mid' miking adds a. As in Tonehammer's Requiem, Liberis' patches have two independent layers ('low' and 'high') containing a. The two layers can be cross. Contemporary sample- library manufacturers accommodate the trend by supplying 'ambiences' and effects along with their straight multisamples.
Hence, Liberis' ambient section (designed by Steve Tavaglione) provides a. Unpredictable, mystical and highly atmospheric, these are patches where a.
Such noises can be rendered more other. For instant chant creation, set Kontakt's internal tempo, select some beat divisions for your desired syllables and hold down a. Amidst the worshipful tones of 'Adoramus', 'Amen' and 'Gloria' (what's she doing here?) are less familiar words, such as 'Morisuri', 'Oratsio' and 'Sibre'.
The final vowel of each chant is looped and the concluding consonant sounds only when you release a. Small values will tighten up the attack, while larger values can remove entire syllables from the front of a. If you don't have the SOS Requiem review to hand, I'll remind you that the former device is a. In Liberis, these internal sequencers' syllable menu is limited to nine staccato and six marcato sounds, so using them to create any kind of verbal complexity is out of the question. However, both provide an easy, quick and fun way of stringing syllables together. I always dread the moment in US made.
Thankfully, the Liberis children don't attempt this particular clich. Since these nursery rhymes are so readily identifiable and the samples so library.
The upper 'range' setting defaults to 1. Reduce the setting to two or three and you can play up to three independent legato voices, each operating within a. The lower pair of range settings control the global play range of the legato patch. I was very impressed by the quality of Requiem's legato samples, so it came as no surprise to find that those in Liberis are pretty spiffing too. In these performances, the natural, plain, vibrato. Subtle slides between notes can already be detected in the children's legatos, but with the portamento articulation the glide is slower and more pronounced. As previously reported, the legatos are superb at delivering slow and mid.
Of course, you can easily bypass these limitations and have as many simultaneous legato voices as you want simply by loading multiple legato patches inside Kontakt and assigning them to different MIDI channels. Programming with Liberis is relatively simple; most patches have built. The only hazard when working with the keyswitches is that Tonehammer have designated one of the switches as 'off', which (until you learn the keyswitch positions) makes it all too easy to inadvertently cut the choir off in mid. There are also speed and volume controls governing the rate and level of the legato transition samples, the latter enabling extra. Although not everyone requires this level of access, it will be welcomed by those who like to spend time fine. To give users more 'pitch headroom', Tonehammer artificially extended the playing range to five octaves by stretching the bottom note down and the highest note up.
Artificial though it may sound, I. But beyond any sentimental associations, this vocal collection provides a. With its strong evocation of innocence, nostalgia, religious devotion and a. Dedicated children's choir libraries are few and far between: apart from Tonehammer's Liberis, the only one that springs to mind is Bela D Media's The Giovani Edition Voices Of The Young, which presents its 3. Staccato (ah, doh, fah, la, mi, ooh, re, soh. The library requires 1. GB of disk space and doesn't need to be registered or activated; Tonehammer protect their products with an individual watermarking system, which enables the makers to trace unauthorised copies back to the original buyer.
Regarding system requirements, Tonehammer say.